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Follow the trail of crumbs…

Sunday, April 30th, 2006

...into the kitchens of Spain.

Migas con huevo

Leave it to the frugal Spaniards to elevate a simple dish of stale bread crumbs into the gastronomic stratosphere. Migas, the Spanish word for crumbs, is so beloved throughout much of Spain that the residents of Torrox, a town along the Costa del Sol in Andalucía, annually host a Fiesta de Migas that draws tens of thousands of people.

At its most basic, migas consists of leftover bread torn into small bits, slightly moistened with water, and then fried in olive oil with garlic and pimentón, the Spanish paprika. Every region seems to have its own variation on the theme, most of which call for the cook to add healthy doses of cured pork products, such as chorizo (dry-cured paprika-laced sausage), morcilla (blood sausage), jamón serrano, and bacon (hungry yet, Biggles?). The dish also often includes peppers and onions in the mix and, surprisingly, may be garnished with a handful of green grapes. Typically, migas serve as the base for one (or two) of the glorious fried eggs I recently wrote about. They can also be topped off by many other humble delicacies, including, I feel obligated to add, sardines.

This weekend, I made a dish of migas con huevos for my entry in the 25th edition of "Is My Blog Burning?," Give Us This Day Yesterday's Bread, hosted by Derrick of An Obsession with Food.

Img_1758_1 At the risk of sounding like a broken record, like all rustic, straightforward dishes, the key to making the most delicious rendition of migas con huevos resides in the quality of your ingredients. Use the best available loaf of country bread, farm fresh eggs, and, most importantly, authentic Spanish chorizo (in the US, there is only one brand, Palacios, available at specialty grocers and on line here and here), jamón serrano, and pimentón.

After N and I scooped up every last bite of our migas, we decided that the point of the humble main ingredient - day old bread - was to soak up every bit of precious pork fat that rendered out of the chorizo, jamón serrano and bacon in the dish. It was like breakfast hash, substituting bread crumbs for potatoes!

No wonder that I was surprised, then, to read that the dish seems to have originated with the Moors, the Muslim occupiers of the Iberian peninsula from the eighth to the fifteenth century. From what I read, it seems that buried beneath the avalanche of pork bits, migas shares a common, if distant, ancestor with North African couscous, steamed semolina.

Regardless of its mysterious beginnings, today a hearty plateful of migas con huevos will load you up with enough calories to keep you going out in the vineyards all day. If you won't be working the fields, you can reduce the fat somewhat (such as by poaching the eggs, as I did), but you lose some of the authentic flavor that makes this belly-buster so quintessentially Castillian. Spoil yourself and eat it for brunch or lunch on a special occasion. Next birthday or anniversary, skip the foie gras, oysters, and caviar, and beg for a plate overflowing with migas con huevos!

Migas con Huevos

Based mostly on the recipe found in one of my favorite Spanish cookbooks, Anya von Bremzen's The New Spanish Table.

Serves 2

extra virgin olive oil
2 cloves garlic, thickly sliced
1 mild poblano chile, cut into ¾-inch pieces
1 strip bacon, diced
2 slices jamón serrano, diced
2 oz. Spanish chorizo (preferably Palacios brand)
2 c day-old country bread, torn into ½-inch pieces
½ t smoked sweet pimentón de la Vera
handful of green grapes, halved (optional)
sea salt
2 eggs, poached or fried in olive oil

Cooked_ingredients Heat few glugs of oil in nonstick pan over medium-low heat. Cook garlic until golden, then remove to plate. Increase heat to medium-high and cook peppers until slightly softened and blistered, then remove to plate. Lower the heat back to medium-low and add meats and cook, stirring, until lightly browned, then remove to plate. If you must, remove some of the fat and set aside to add if needed (just don't let me know you did).

Add the bread to the rendered pork fat and olive oil in the pan. Evenly splash about ¼ cup of water over the bread. Cook bread, using a spoon to break it up somewhat. Cook until it starts to crisp up and turn golden, about 10 minutes, adding back any fat that you may have set aside if the bread looks dry. Add the pimentón to the pan and stir and cook briefly, then toss back in all the garlic, peppers and meats. Stir the whole mess around and cook for a few minutes, adding the grapes if using. Taste to see if needs salt and season accordingly.

Spoon migas onto plates or cazuelas and top each plateful with poached or fried egg.

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Lombo com cenoura e aipo

Sunday, April 30th, 2006
mais uma receita da Elvira elvirabistrot.blogspot.com
Ingredientes para 4-6 pessoas
- 1,2 kg de lombo de porco
- 1/2 colher (sopa) de sal grosso
- 1/2 colher (sopa) de pimenta preta moída no momento
- 1 cenoura grande descascada
- 3 talos finos de aipo
- 2 colheres (sopa) de azeite
- 2 cebolas médias picadas
- 3 dentes de alho picados
- 1 chávena de polpa de tomate
- 1 chávena de água a ferver
Preparação
Massajar a carne com uma mistura de sal e pimenta. Praticar um corte fundo na carne com o auxílio de uma faca grande e afiada, no sentido do comprimento. Introduzir a cenoura e os talos de aipo na cavidade. Atar a carne em toda a volta com fio de cozinha.Aquecer o azeite num tacho grande. Alourar a carne no azeite, de ambos os lados. Juntar a cebola e o alho. Dourar durante 3 minutos.Adicionar a polpa de tomate e a água fervente. Tapar o tacho e cozinhar em lume brando durante 1h30 ou até a carne ficar macia. Virar uma vez. Adicionar um pouco de água, se for necessário. Rectificar os temperos.Transferir o molho de cozedura para uma travessa. Trinchar a carne e dispor por cima do molho. Servir com tagliatelle ou esparguete.

Astrid y Gaston abre en Caracas, Venezuela

Sunday, April 30th, 2006
Restaurante No. 5 para esta exitosa pareja de Chefs/Restauranteros, inauguró anoche en el barrio de Las Mercedes, en la capital venezolana. Claudia Mugas y Alexander Dioses, ambos cocineros peruanos, estarán al frente de los fogones de esta nueva sucursal de A y G. Según un artículo publicado el 22 de abril en el Diario Universal, un tercio del menú ofrece platos de origen peruano y el resto está inspirado en la cocina local, utilizando productos y sabores locales tales como las caraotas (frijoles), casabe y harina de maíz, entre otros. Una de las novedades del Astrid y Gastón de Caracas es que se podrá degustar de una variedad de platos populares originarios de las distintas ciudades donde se ubica el local y que se han llevado a tamaño de "tapas" o picadas. Un dato curioso es que la cocina de este local mide 140 metros cuadrados (enorme!) y un total de 20 cocineros laborando. Felicidades a Gastón y su equipo de trabajo, socios y por supuesto a Astrid, y los mejores deseos de éxitos!



Próxima parada, PANAMA!

The Spice of Life

Sunday, April 30th, 2006
I am an absolute nut about mulled wine, and perhaps with good reason. I remember France during the holidays, going to a bazaar full of baked goods and steaming vats of mulled wine, warming the hands and the belly against the chilly air. I spent Christmas in France in Stasburg, the place for Christmas, eating pain d'épices and downing bucketfuls of spicy wine on the snowy streets, but mulled wine is sold all over France during the winter season, and is also very plentiful around my family's home, especially during holiday parties. The wine fills the air with the unmistakable aroma of cloves and cinnamon, a sent forever linked in my mind with smiles and the good cheer of the season.

Now, I am sorry to reminisce about all of this Christmas business but I really am getting to the point; and that is the flavor of this mulled wine brings back memories of childhood and good times. Well, I want that in my jam.


And thus I created Spiced Plum Jam.

The plum season is drawing to a close here in Corrientes, and pears and apples take their little places for the fall. The plums who do still manage to fight their way into the market are a little more than ripe, (OK so I like my plums practically still green and crunchy but they really are quite ripe) which is just right for the jam pot.

I have been making jam since I was in my younger teens, helping my mother with our annual batch of 3 fruit marmalade (the grapefruit and lemon help make up for the sweet oranges since Seville aren't easy to come by in the Pacific NW). This jam in comparison is dead simple to make, no slicing up zest with surgical precision, this is a lovely, messy affair, and you can eat some plums as you go. If you have never made jam before this is a fabulous recipe to start with, and well worth the effort, because store bought jam can never ever stand up to the homemade variety. So lets get started,

Boozy Spiced Plum Jam


Remove the stones of about 6 pounds of plums, and put a small clean plate in the freezer.

Cut the plums into chunks, the size really is not all that important.

Add 3 to 4 pounds of sugar depending on your jam tastes (some recipes add up to the same amount of sugar as fruit but overly sweet jam is not my thing so..)

Throw in about 1 pint of water as well.

Add:
1/2 teaspoon nutmeg
1/2 teaspoon ground cloves
1/2 all spice
2 teaspoons cinnamon
1 teaspoon ginger

Leave the fruit to soak, the sugar will help draw out the plum juice so just leave it alone for a while, I do this overnight but 20 minutes will probably do in a pinch.

Put the fruit on a low simmer for about 45 minutes until the fruit is very very soft. Turn up the heat and add in your pectin if going the pectin route, start with a box or two. (Because pectin seems not to exist in Argentina, I have to get it from my fruit so I use the stones smashed up a bit, in a teabag, but the pectin from a box is the way I would recommend). Once the jam has started to thicken, take your plate out of the freezer for a little test add a small drop of your jam on the plate and wait a minute or two, push the jam with your finger if the jam is now jam-like and smooshes and has a bit of a skin rather than just being liquidy, you are ready if it is still liquid add more pectin (depending on the fruit this may take up to 4 or 5 boxes in some cases) and keep boiling for about 5 minutes.

Skim any white foam that may have come to the surface with a slotted spoon.

Add about 2 tablespoons brandy (or the liquer of your choice) to the bottom of each sterilized pot (I run the dishwasher while I am cooking so the pots are still super hot when I add the jam, this is probably not the most sterile way but I haven't died yet and none of my jam has ever molded), and then add the jam leaving about 2 fingers room on the top. You can tell if the lid has sealed after about an hour if when you push on the lid it doesnt spring back.

(Spiced Plum Jam on homemade wheat bread)

If you can't wait to test it out, put some of the hot jam on vanilla ice cream and eat.

Lo que pudo ser y no fue

Saturday, April 29th, 2006
Hoy es el ultimo día en mi cocina de labores, se cierra un capitulo mas y quedan experiencias y aprendizaje invaluable, agradezco infinitamente el apoyo a las personas que se tomaron el tiempo de ir a visitarme por el restaurante, a los colegas de profesión con los cuales he compartido estos intensos meses de operación y a cada uno de los comensales que me favorecieron con su preferencia, ya no habrá mas historias en el St. Elías, mas que la sensación de lo que pudo ser y no fue, es por eso que quise agregar este post, para dignificar lo que pudo ser una buena oferta gastronómica y por el gran aprecio que siento por el restaurante como tal. He tenido una semana de bastantes sobre saltos, pero a tenido situaciones muy confortables, como los mensajes de mis colegas de Venezuela, Panamá, California e Irlanda donde compartimos experiencias que rodean la gran pasión que compartimos a la que llamamos comúnmente COCINA. En los próximos días solo queda meditar, y cargar la pila para seguir adelante con los proyectos que he iniciado. La rosca es un regalo personal; chocolate, nuez, frutos rojos, cobertura de chocolate blanco y semiamargo, posiblemente un producto mas de la linea comercial, ustedes que opinan=?

Atum com Esparguete

Saturday, April 29th, 2006
De férias em Cabanas, ou melhor de fim de semana com o meu Apolo ele fez aquele prato que parece que só fazemos nas férais e que sabe sempre bem
Ingredientes
- Um dia de sol fantastico.
- Uma lata de atum das grandes
- Meio pacote de espargue
- Pimenta a gosto
- 2 tomates maduros
- 1 cebola
- Alho a gosto

O meu deus grego cozeu o esparguete al dente. Enquanto isso colocou a cebola com os alhos a pimenta e um fio de azeite a alourar. Logo depois cortou os tomates que estavam bem maduros na panela junto com a cebola e os alhos.
Quando ficou tudo num molho bem cheiroso, acho que tambem pos umas ervas provence que havia na despensa, colocou a lata de atum que eu já tinha escorrido muito bem e mexeu ate ficar uniforme.
Juntou tudo com a massa e ficou uma delicia.

Baked and Fried Stale Breads (IMBB #25)

Saturday, April 29th, 2006

IMBB#25 is hosted this month by An Obsession With Food.  Head over to the Is My Blog Burning? website to learn more about this and other food events.  Derrick chose the excellent theme of stale bread.  As a home bread baker and a bread addict, I tend to have a fair amount of the stuff around.  Once in a while a baguette, or more rarely some delectable levain, will end up fairly stale.  Panzanella, pain perdu, croutons, and bread pudding are all excellent and frequent uses, but for this IMBB I chose to mimic a cooking technique that I recently saw a friend in Moscow use. 

I tried both a fried and baked version.

Img_8077

Fried Stale Bread with Pseudo-Coddled Eggs

The moistened bread, coddled eggs, and butter created a lovely creamy texture and taste.

Serves 2

Ingredients

4 slices of stale French or Italian style bread (I used D'Amato's Home Style Filone)
1 C hot water
1 tsp salt
4 Tbl butter
4 eggs
1 Tbl shredded cheese (I used mozzarella)
1 Tbl grated Parmesan
1 tsp dried rosemary
2 Tbl greens or julienned vegetables
salt and pepper to taste.

Cut the bread into 1 inch slices.  Make a small depression in the center of each with your thumb.  Mix the hot water and salt in a bowl and dip each side of the bread slices into the water -- do not soak.  Place on a paper towel to get rid of the excess moisture.

Butter the sides without the depressions liberally and place into a frying pan over medium heat.  Break an egg into the depression of each slice.  The egg will spill over the sides.  Sprinkle on the rosemary. Cover and let cook for about 5 minutes.  In the last minute add a bit of each type of cheese to the tops.  The eggs are ready when the whites are opaque.  (You may cook them longer if you prefer more solid whites, though it is best to leave the yolks runny.)  Season to taste, top with greens or vegetables and serve warm.

Img_7573
Stale Bread Baked with Eggs and Tomato Chutney

Serves 2

Ingredients

4 slices of stale French or Italian style bread (I used D'Amato's Home Style Filone)
2 eggs
4 Tbl butter
2 Tbl shredded Cheddar
4 Tbl homemade tomato sauce or tomato chutney.
Salt and pepper to taste

Preheat over to 350F

Slice the bread into 1 inch sections.  Remove the very center from two of the slices.  Liberally butter one side of the intact slices.  Place buttered side down on a baking sheet, top each with one of the remaining slices, and break an egg into the holes in the top slices.

Bake for about 10 minutes, watching carefully.  When the whites are just set add the cheese and chutney to the tops of each.  Bake a further 3 or 4 minutes until toppings are warmed.  Season to taste.

Springtime in Salem and my thoughts turn to…..

Saturday, April 29th, 2006
Carrot salad, of course.

Spring comes in fits and starts here--45 degrees and raining one day, 75 degrees and sunny the next. Despite this, the trees are budding, the azaelias are blooming, and the tulips are out. It's not perfect, but it's enough to make me ready for vegetables. Yummy, fresh, local vegetables. But alas, it's not quite the season for my local farm co-op to have started up.

That doesn't mean that I can't get a jump start on veggies, though, so I'm dusting off one of my summertime favorites--a sweet and spicy Moroccan Carrot Salad. You can make it and eat it right away, but I think it improves if chilled overnight, so the flavors have time to soak into the roasted carrots. It makes a good side dish, and also works well as part of a big mezze table. But more about that when it gets warm enough for me to open up the deck for the season.....




Moroccan Carrot Salad

1 lb carrots, peeled and sliced into 1/4 in thick discs
1 tsp canola or other neutrally flavored oil
juice of 1 lemon--fresh only, please--this is one of those things where reconstituted doesn't work that well
2 tsp extra virgin olive oil (break out the good, flavorful stuff for this)
2 tsp honey
1 tsp ground cumin (it's even better if you toast and grind your cumin seeds fresh)
1/4 tsp ground cinnamon
Crushed red pepper flakes to taste
Salt and pepper to taste
1/4 c flat leaf parsley or cilantro, cut in thin strips
1/3 cup crumbled feta cheese or raisins (optional)

Preheat your oven to 375 degrees. Toss the carrot slices with the canola oil until all the carrots are coated. Put the carrots in a roasting pan. Cover the pan tightly with foil and cook the carrots for 10 minutes.

Remove the foil and roast for an additional 15 minutes, until the edges of the carrots begin to caramelize. Set the roasted carrots aside to cool.

Meanwhile, in a large bowl, whisk the olive oil, lemon juice, honey, and spices together until combined. Add the cooled carrots, the herbs, and the feta cheese or rasins (if using). Toss to coat.

You can either serve now, at room temp, or cover and chill the salad overnight.

Scenes From Buenos Aires (scene 3)

Friday, April 28th, 2006

Domingo 4 de Diciembre, 2005. Me levanté cansada, como siempre. Cansada, pero feliz, terminaba de asimilar el hecho de que el día anterior había visto a Dream y que hoy tocaba repetición. Mucho se especulaba acerca del album clásico que tocaría Dream en esta segunda fecha. La opción más comentada era el Dark Side Of The Moon the Pink Floyd. En realidad no importaba. Ya habíamos escuchado lo suficiente y lo del domingo sería sólo por gula. Eso creíamos.

Habíamos quedado en encontrarnos para ir al Sheraton a esperar a nuestros ídolos, cual quinceañeras. Ya habían ido antes sin suerte. El detalle era que habían ido a otro Sheraton (de eso nos enteramos el día anterior, conversando con unos chicos en la cola). Fui al hotel de Karinna y Mauricio y nos encaminamos al Sheraton de Retiro. En el camino nos cruzamos con el stage manager de DT. Al llegar vimos un grupo de fans argentinos y un grupo de fans de Ricky Martin, con obvias diferencias entre ambos. Estuvimos parados un buen rato, aproximadamente una hora, pero no había señales de los masters. En eso los argentinos rodearon a un suertudo que les mostraba en su cámara digital la foto que se había tomado con Jordan Rudess, poco antes, en el hotel. Karinna vio la foto, Rudess con gorra, lentes oscuros y un polo negro que tenía un chanchito rosado y decía Pink Floyd. El mismo Rudess que ella vio pasar caminando a pocos metros de nosotros cuando nos dirigíamos al hotel y al cual no había reconocido porque sólo le llamó atención su polo. Ni Mauricio ni yo lo habíamos visto así que estuvimos muy cerca de matar a Karinna por no habernos pasado la voz. Con la frustración encima, no nos quedó otra que seguir esperando. Teníamos planeado almorzar en Puerto Madero y empezamos a dudar si ir o quedarnos un poco más, por si había suerte. También pensamos en ir a buscar a Rudess pero no sabíamos exactamente por dónde podría estar. Y en un instante único, como para demostrar que existen las segundas oportunidades, vimos al gran Jordan Rudess cruzando la pista, de regreso de su caminata solitaria. Corrimos a alcanzarlo en la esquina, lo saludamos, nos tomamos fotos con él, le pedimos autógrafos (Karinna me regaló una hoja del cancionero que había impreso) y olvidamos preguntarle si los demás iban a bajar o cualquier otra cosa que se nos pudiera haber ocurrido, sólo Mauricio atinó a decirle que veníamos de Perú. Lo último que nos dijo fue "enjoy the show tonight" y entró al hotel. Así, en ese estado de no-creer-lo-que-acaba-de-pasar tomamos un taxi a Puerto Madero para almorzar.

Luego del almuerzo fuimos a comprar los regalos que nos faltaban, luego fui a mi hotel a dejar las bolsas y regresé a buscarlos para salir a Obras y llegar aproximadamente a la hora en que llegaría la gente de Ticketek para pedir nuestras entradas. Esta vez llevamos cámara así que nos tomamos unas fotos frente a los letreros del estadio. Una vez dentro, con menos gente que la noche anterior, pudimos ubicarnos frente al Petrucci spot con comodidad. La consigna era estar la mitad del concierto ahí, para las fotos y la otra mitad al lado izquierdo, frente a Myung y Rudess. Nos encontramos con la gente y tomamos unas fotos.

Empezó a llover, así que el personal técnico cubrió los equipos con plástico. A la hora indicada soltaron el track de La Naranja Mecánica que marcó el inicio de los dos shows y los DT subieron una vez más por la rampa de acceso.


The Glass Prison abrió este concierto (buena elección para empezar con algo contundente y técnico), esta vez, estando a pocos metros del escenario y sin la apretadera del día anterior, pudimos apreciar mejor todo, sobre todo a Petrucci quien se convirtió en el hombre más fotografiado de la noche.

Le siguieron un tema del Falling Into Infinity: Just Let Me Breathe (hubiera preferido Lines In The Sand) y The Mirror y Lie del Awake. No recuerdo exactamente cuándo pero Karinna me contó que Mauricio había presionado el botón de reset en su cámara, borrando todas las fotos de turismo en Buenos Aires, incluyendo las fotos con Rudess.

Luego continuaron con el Octavarium: The Answer Lies Within (la canción que menos me gusta del disco pero igual canté), These Walls (inicia con una desafinada de guitarra pero hay que reconocer que por más churro y capo que sea Petrucci, no se acerca a Tom Morello en estos menesteres, ya que al re-afinar no agarró la nota de la canción y estuvo desafinado al comienzo. Además, creo que debido a que el bajo no estaba definido por deficiencias de equipo, la canción no se escuchó para nada como debía. Finalmente, James, que casi nunca se equivoca en las letras, se equivocó varias veces en el coro. En resumen, mi canción favorita del Octavarium fue la peor de los dos conciertos, o mejor dicho, la única mal tocada).

Luego siguió Never Enough también del Octavarium y In the Name of God del Train Of Thought y los Dream se fueron al break.

Nosotros escuchábamos a Pipo & Elo mientras discutíamos qué disco clásico tocarían a continuación. Había muchos motivos para pensar que sería el Dark Side Of The Moon (el pedacito de Wish You Were Here en Peruvian Skies, el polo del chanchito de Rudess, aparte de que lo habían tocado en Europa). Pero también podía ser Yes o Queensryche o cualquier otra banda. Alguien dijo "que toquen el Scenes" y nos reimos. Cuando ya era tiempo del segundo round, soltaron una pista con retazos de canciones de todas las bandas imaginables de las que podían tocar covers. Luego de casi 3 minutos sonó el tic tac mágico del hipnoterapeuta y el "Close your eyes and begin to relax" nos dio la buena noticia: nos iban a regalar el Scenes From A Memory completito. Con una gran emoción y, en algunos casos, lágrimas en los ojos, todos participamos en la cuenta regresiva que forma parte de Regression y cantamos a coro "Safe in the light that surrounds me, free of the fear and the pain..." y las letras de todas las demás: Overture 1928, Strange Deja Vu (de nuevo, qué suerte la nuestra), Through my Words, Fatal Tragedy, Beyond This Life, Through Her Eyes (en el inicio Petrucci tocó un trocito de No Llores Por Mí Argentina para derretir al público), Home, The Dance of Eternity, One Last Time, The Spirit Carries On (también de nuevo, y esta vez grabé el solo en video), Finally Free y Overture 2000, durante la cual LaBrie agradeció y se despidió como si no fueran a volver. Pero siempre vuelven y esta vez no fue la excepción. El broche de oro fue un mix entre Pull Me Under y Metropolis I, confirmando que este concierto había sido demasiado, que el día anterior había sido sólo un calentamiento, que nadie en el mundo había tenido la suerte que nosotros (dos discos de Dream completos y temas de todos los demás), que la gente que había estado el día anterior y no había ido el domingo podían pegarse un tiro en el acto. Al final Mike recuperó su personalidad posera y jugó a tirarse las baquetas con el plomo mientras tocaba. Terminó el concierto, Mike se puso una bata de boxeador y los Dream se despidieron de nosotros prometiendo volver.


"As long as I could tell there's nothing more I need". Esos dos días habían sido demasiado. Definitivamente no me habría perdonado el haberme perdido ese super concierto de dos días. Pensé en todos mis amigos que hubieran querido estar ahí y no pudieron. Pensé en todos los argentinos que tuvieron la oportunidad de haber ido y la dejaron pasar. Nos reunimos todos y salimos de Obras, totalmente satisfechos. Karinna y Mauricio se tomaron fotos frente a los letreros del estadio, para recuperar alguito de las fotos borradas. Vimos los polos de los ambulantes, Karinna compró uno. Yo la verdad prefiero gastar más y comprar uno online. Teníamos un plan, ir al Sheraton a esperar a que los DT vuelvan de Obras e intentar fotografiarnos con ellos. Al llegar hicimos un pequeño grupo con unos argentinos y esperamos. Luego de un rato llegaron dos camionetas y corrimos hacia la puerta. Lamentablemente entraron rapidísimo mientras los de seguridad nos pedían que nos retiráramos. Me sentí como una quinceañera estúpida. Nuevamente decidimos ir a celebrar el fin de la velada, esta vez fuimos a un restaurante cerca del obelisco. Pastas, algo de vino y por supuesto DT. Luego nos despedimos, previas fotos del obelisco de noche, y partimos a nuestros hoteles.

Lunes 5 de Diciembre, 2005. Dormí poco, tenía que llegar al aeropuerto a las 5:15 am y tomar el vuelo que debía llegar a Lima a las 11, dejándome algo de tiempo para comprar mis insumos y estudiar para el examen final de Técnicas Culinarias. Ahí fue cuando el amigo Murphy (que en realidad no existe) entró a tallar. Por primera vez en mi vida Lan me falló. Me informaron que el vuelo se había retrasado y que no sabían a qué hora salía. Además, me aseguraron que a las 6 me darían un vale para el desayuno. Llegaron Mauricio y Karinna (que regresaban en el mismo vuelo que yo) y les conté lo que pasaba. No nos quedó otra que sentarnos a esperar. Empecé a leer para el examen pero la tensión me jugó una mala pasada en el estómago. Aún así tenía que estudiar. El tiempo pasaba y no había noticias del vuelo ni del desayuno. Finalmente nos dieron los vales y la hora de salida. Luego de comer algo y de esperar un poco más porque el vuelo no salió a la hora, estuvimos en camino a casa.

Llegamos, creo, a la una y pico de la tarde. Me recogieron mis padres y Alvaro, como siempre, fuimos a comprar mis insumos y fui a cambiarme para el examen. La falta de sueño y la tensión me hicieron fallar en el práctico, pero igual aprobé y la verdad no me interesaba nada más que no olvidarme nunca de ese fin de semana.

an old tradition made new

Friday, April 28th, 2006

bagel with lox II, originally uploaded by shaunaforce.

Every Sunday morning, the last two years that I lived in New York, my friend Sharon and I had a definite Sunday tradition. We always rose late and sleepy on a Sunday, me in my bedroom close to Broadway, the street noise so familiar it had the lull of the ocean from seven stories up; Sharon in the middle bedroom of the apartment with the king-sized bed, the street noise muffled by the window facing east. Generally, we had both been out until two or three the night before. Sometimes we spent Saturday nights together — dancing our way to sweaty happiness with a group full of girls determined to dance without the boys intruding. Most of the time, we were both out with different people, listening to thrashing live music on the lower East Side or at a dinner party in Harlem. Coming home late on the subway, tired and alive from another week of living in the most sensory-overload city in the world, I always felt safe. I walked down Broadway at night by myself, knowing I was home. And knowing the safety of what awaited me on Sunday morning.

So, when we rose, Sharon and I greeted each other in the kitchen. Without saying anything, we went to our separate rooms for our shoes and wallets. Then, we descended the back elevator (the one that always smelled like a thousand corn chips) and walked the shiny tile floors of our building’s lobby to the front door. Turn right, then right again. Up Broadway, six blocks, past Mama Mexico, the Starbucks across the street, the dollar store, the greengrocers with the Italian ice cart in front in the summer, our favorite video store (the one that delivers in the snow), the Irish pub, and hundreds of people. There we were: 107th Street. Absolute Bagels.

Every Sunday, with the regularity of a chiming church bell, Sharon and I performed this ritual. Some mornings, we talked fast about our nights and the endless machinations of relationships and friendships. Most mornings, we didn’t need to talk. We just walked, side by side, uptown to our favorite place. Once inside, we waited in line, along with the rest of the Upper West Side, to buy our bagels. The word was out — this tiny shop run by Thais had the best bagels in the city. Wire baskets piled with fresh bagels lay within steamed-up glass cases. Every three or four minutes, a slightly-sweaty employee brought hot bagels to the cases on an enormous paddle. The man at the counter barked out the orders, and someone else snapped a paper bag and filled it with warm, chewy goodness. Sharon and I deliberated every week. Should we try the onion bagels? The sesame seed? The everything bagels, studded with seeds, dried onions, and little mouthfuls of herbs? Futile discussion, because every Sunday we called out our order like a well-worn litany, a text we had studied for years and knew by heart. Two cinnamon-raisin bagels, each. One with cream cheese and lox. The other with lox cream cheese. Two cartons of orange juice. When they put the warm bags, twisted up at the top into our hands, we turned on our heels and snaked our way through the crowd, past those still waiting to receive their communion. We emerged into the humid air, the sounds of the street, the towering buildings, the sliver of sky, the hum of humanity — our New York.

Then, we walked home, resisting the urge to break into the bags on the street, eat one of the bagels on the corner of 103rd. We waited, patiently. We raced up the seven flights as fast as we could make the elevator go. We burst through our front door. And then we assembled the ritual.

Paper bags flattened out, both bagels splayed. Sharon put on water for her King George tea. I made a pot of hot, strong coffee. I unwrapped the New York Times from its rubber band, and separated out the sections we had no intentions of reading. Secretly, I always enjoyed this small act. It had the satisfaction of ordering the world, laying out my pleasure, in a tactile fashion. We poured our orange juice into glasses. Then, we sat down. Every week, the only difference was this: do I eat the bagel with the lox first? or the bagel with the lox cream cheese first? This was the small delight awaiting me, that decision. Then, there was the eating.

lox with knife

The first bite was always the best, because our senses were keening for it. The salted oily texture of lox, the smooth milkiness of cream cheese, and the warm dense chewiness of a proper bagel. I’m pretty sure we both stopped in the middle of that first bite to look at the ceiling and exclaim at the taste. Every week. A sip of strong coffee, another bite of lox goodness, a glance at the Sunday Styles section, another bite. That first bagel went quickly.

We would sit and read, across the circular kitchen table from each other, the weak sunshine filtering in through the building across the street and the haze, into our kitchen. We would remark on news, read each other crazy stories, and laugh about ridiculousness that emerged from our heads. Most of the time we were silent. Unless one or the other of us drank too quickly or ate too big a bite. At that point, an enormous, rolling belch would erupt from one of our throats. We didn’t even comment on it anymore. We were that comfortable in our kitchen together, to let it all roll out.

(Sharon is a spectacular belcher. Dainty and feminine, with blonde hair and slender wrists — you would never know she had it in her. But spectacular she is, and she taught me how to belch without fear of embarrassing myself. My mother is still horrified.)

And so, our Sunday morning slowly unraveled, with section after section of the paper staining our fingers with ink, coffee cup drained, tea drunk to the dregs, and the second bagel just as satisfying as the first. Maybe more, because we ate it much more slowly. We sat, in companionable silence, reading and eating, feeling at home, together.

CUT TO:

INT — SEATTLE KITCHEN — MORNING

Sharon and I gathered again in a kitchen on a Sunday morning, this time in Seattle. The light coming through the windows was only filtered through green leaves this time. Sharon drank Irish Breakfast tea this time. The New York Times was missing the Metro section, since it doesn’t arrive bundled on the porches of homes outside of New York. And this time — of course — the bagels didn’t come from Absolute.

This time, I had made them.

The week before Sharon’s visit, I remembered our Sunday morning ritual, and I knew I needed bagels. Of course, I can’t eat traditional bagels anymore. But if there’s only one gift of this gluten-free life (and of course, there are many more), it has been my confident playfulness with food. I had never made bagels before finding out I should avoid gluten. But now, when faced with necessity, I felt comfortable throwing teff flour around and boiling dough for the first time. (In fact, I had been thinking about this for awhile. Urban legend claims that NY bagels are so indelibly good because of the tap water. On my trip to NY two months ago, I almost brought back a water bottle filled with the murky liquid. But I didn’t.) Turns out — this is fun. And surprisingly simple.

Of course, they didn’t taste like traditional bagels. But we were making a new tradition: me being able to eat bagels without having to take a two-hour nap afterwards. Nothing tastes better than good health, and sharing that with my friend.

We agreed — the plain bagels I made had no real taste. But these bagels I made with teff flour? They weren’t the consistency of traditional bagels, but they were chewy and pleasant. They tasted — strangely — like a dense, homemade wheat bread, with a hint of pumpernickel. They are smaller than NY bagels. They need to be toasted, twice, before they can be eaten. But they are, no question, an excellent receptacle for cream cheese and lox.

And for a Sunday morning with Sharon, they were a revelation. A new tradition.

gluten-free bagel IV

Gluten-free Bagels

Let me warn you properly — these do not taste like traditional bagels. I’m going to keep experimenting, but I just can’t imagine that any gluten-free recipe will ever yield the kind of chewy, dense texture of an Absolute bagel. However, they are chewy and tender, in their own way.

Normally, I’m not fond of egg bagels. In fact, that eggy yellow color was my first experience with bagels, in a Jewish deli in my southern California town. Even then, I just didn’t understand the taste. But I found that adding egg whites to this mixture binds the flours together better than not. And since they are egg whites, you will hardly taste the egg. Decide for yourself if you want to brush the tops of these with the yolks — it will make the bagels shiny, but it will impart a bit of that egg taste.

Finally, there is the boiling. Boiling the bagels before baking them gives the crust the crunch you want, before you find the softness inside. The molasses in the water yields a slight sweetness, almost imperceptible, which cuts the teff well. Besides, it’s fun to watch the bagels bobbing in the boiling water.

one packet dried yeast (Red Star is gluten-free)
one tablespoon brown sugar
three-quarter cup warm water
two cups brown rice flour
one cup tapioca flour
one cup teff flour
two egg whites (reserve the yolks for later use)
one tablespoon salt
one and one-half cup warm water
two tablespoons molasses

Place the yeast in a warm bowl, then gently pour in the water. Stir in the sugar until it is dissolved in the mixture. Allow the bowl of yeast to sit and grow, foam and rise, until it has doubled in size. (This should be about five to ten minutes.) If the yeast mixture does not expand, you have dead yeast. Start again.

Mix the gluten-free flours together, then add the yeast mixture, egg whites, salt, and water. Allow these to mix in your standing mixer for awhile, until they have formed a dough. This dough should be not too sticky, and not too dry. (Actually, in its ideal state, it has the same tender texture as a baby’s cheek.) Divide the dough into eight balls of equal size. Poke your finger through the center of each ball, then twirl the ball around and around your finger until you have created a bagel shape. (Enjoy this part — it’s a tactile pleasure.) Cover the bagels-in-waiting with a tea towel, then let them rest for an hour. (Remember that this is gluten-free dough, so it’s not going to rise, really. But it does like to rest before you pull and shape it into bagels.)

Pre-heat your oven to 425°. Fill your favorite saucepan with about four inches of water, then stir in the two tablespoons of molasses. Bring the beautifully murky water to a boil. Gently, place four of the bagel-shaped dough balls into the boiling water, and allow them to bob to the surface of the water. After one minute, turn the bagels over and allow them to boil for one minute on the other side. Remove the bagels with a slotted spoon and gently place them on a wire rack. Repeat this process with the remaning four bagel doughs.

Place parchment paper or a silpat on your favorite baking sheet. (You could also lightly grease the baking sheet, then sprinkle it with cornmeal.) If you wish, you can brush the tops of the bagels with some of the reserved yolks of the egg, mixed with just a touch of water. Place the bagels on the baking sheet and slip them into the oven. Bake for about twenty minutes, or until they are browned and have the thump of bagels.

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